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Talking to Schickel about Talking to Scorsese
Conversations-with-directors books can go one of two ways: Either the directors want to analyze their work, or they don’t. Those who do either obscure the films with trivial esoterica or — as is the...
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On Peter Sellers in Being There
Being There is playing at BAMcinématek Sunday May 15th. Peter Sellers’s performance in Being There is one of the wonders of the movies. It is a wonder of personality, in its disparity to Sellers’s...
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I Got a Kick out of You
Nothing makes a critic seem more out of touch with his era than playing the “they don’t make em like they used to” card, but I happen to think, in the case of the Hollywood romantic comedy, a critic...
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Tres Malick
With Terrence Malick’s The Tree of Life winning the Palme d’Or and playing to sellout crowds, the film world’s collective boner has risen, once again, to zero acknowledgment from the film’s maker....
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A Conversation with Theresa Russell
Theresa Russell is attracted to the very things that repel most actors. In 1976’s The Last Tycoon, her first movie (and Elia Kazan’s last), she is unafraid of seeming to do very little. Young actresses...
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Real, Funny
Flipping through the index in Peter Biskind’s Easy Riders, Raging Bulls — a book about the rampage of sex, drugs and revolution in Seventies Hollywood and Hollywood in the seventies — one discovers...
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A Dream Team: Patricia Resnick on 3 Women
As a film student at the University of Southern California, new to LA and without connections, Patricia Resnick had a habit of following film trucks, just to see where they’d lead. One took her to...
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Why They Couldn’t Make Breakfast at Tiffany’s Today
This week, as the film Breakfast at Tiffany’s celebrates its fiftieth anniversary, generations of fans old and new will amble up Fifth Avenue, press their noses to the shiny windows on 57th and...
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Filming Osmosis: A Conversation with Declan Quinn
Chekhov is about time—passing it, mostly. He never cuts to the chase, only hints at it coming from a long way off. Then there’s the waiting, the sitting around and rattling on; it’s old-country...
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When I Was At Morton’s
For nearly 30 years (but especially during the 1980s), Hollywood’s big, big money — its new, blockbuster money — converged, with era-defining consistency, on the corner of Robertson and Melrose at...
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